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Home / Art in Which an Idea Takes the Place of the Art Object Is Called

Art in Which an Idea Takes the Place of the Art Object Is Called

"piece of art" redirects here. Non to be confused with art of peace.

Artistic creation of aesthetic value

A piece of work of fine art, artwork,[1] art slice, piece of art or art object is an artistic creation of aesthetic value. Except for "piece of work of art", which may be used of whatever work regarded as art in its widest sense, including works from literature and music, these terms utilize principally to tangible, physical forms of visual art:

  • An instance of fine art, such as a painting or sculpture.
  • An object that has been designed specifically for its aesthetic appeal, such equally a slice of jewellery.
  • An object that has been designed for artful appeal as well every bit functional purpose, equally in interior blueprint and much folk fine art.
  • An object created for principally or entirely functional, religious or other non-artful reasons which has come to be appreciated every bit art (often later, or by cultural outsiders).
  • A non-ephemeral photograph or film.
  • A work of installation art or conceptual art.

Used more broadly, the term is less commonly practical to:

  • A fine work of architecture or mural design
  • A production of live performance, such as theater, ballet, opera, performance art, musical concert and other performing arts, and other ephemeral, non-tangible creations.

This article is concerned with the terms and concept as used in and applied to the visual arts, although other fields such equally audible-music and written word-literature take similar issues and philosophies. The term objet d'art is reserved to describe works of fine art that are not paintings, prints, drawings or large or medium-sized sculptures, or architecture (e.g. household appurtenances, figurines, etc., some purely aesthetic, some also practical). The term oeuvre is used to describe the complete body of piece of work completed by an artist throughout a career.[2]

Definition [edit]

A work of art in the visual arts is a physical 2- or iii- dimensional object that is professionally determined or otherwise considered to fulfill a primarily independent aesthetic function. A atypical fine art object is oft seen in the context of a larger art motility or creative era, such as: a genre, aesthetic convention, civilisation, or regional-national distinction.[3] It can besides be seen every bit an particular inside an artist's "body of work" or oeuvre. The term is normally used past museum and cultural heritage curators, the interested public, the art patron-private art collector customs, and art galleries.[iv]

Physical objects that document immaterial or conceptual art works, simply exercise not arrange to artistic conventions can exist redefined and reclassified every bit art objects. Some Dada and Neo-Dada conceptual and readymade works have received later inclusion. As well, some architectural renderings and models of unbuilt projects, such every bit by Vitruvius, Leonardo da Vinci, Frank Lloyd Wright, and Frank Gehry, are other examples.

The products of environmental design, depending on intention and execution, can be "works of fine art" and include: land art, site-specific art, architecture, gardens, landscape compages, installation art, stone fine art, and megalithic monuments.

Legal definitions of "work of art" are used in copyright law; encounter Visual arts § United states of america of America copyright definition of visual fine art.

Theories [edit]

Marcel Duchamp criticized the idea that the work of fine art should exist a unique product of an artist's labour, representational of their technical skill or artistic caprice.[ citation needed ] Theorists have argued that objects and people do not have a constant meaning, but their meanings are fashioned by humans in the context of their culture, every bit they have the ability to make things mean or signify something.[5]

Creative person Michael Craig-Martin, creator of An Oak Tree, said of his piece of work – "It'south not a symbol. I have changed the concrete substance of the glass of water into that of an oak tree. I didn't change its appearance. The actual oak tree is physically present, but in the grade of a glass of water."[6]

Distinctions [edit]

Some art theorists and writers have long made a stardom between the physical qualities of an art object and its identity-status as an artwork.[7] For instance, a painting by Rembrandt has a concrete existence as an "oil painting on canvas" that is separate from its identity as a masterpiece "work of art" or the artist'southward magnum opus.[8] Many works of art are initially denied "museum quality" or artistic merit, and afterward become accepted and valued in museum and private collections. Works past the Impressionists and non-representational abstract artists are examples. Some, such every bit the "Readymades" of Marcel Duchamp including his infamous urinal Fountain, are later reproduced every bit museum quality replicas.

Research suggests that presenting an artwork in a museum context tin affect the perception of information technology.[nine]

There is an indefinite distinction, for current or historical aesthetic items: between "fine art" objects made past "artists"; and folk art, craft-work, or "applied fine art" objects made by "start, 2nd, or third-world" designers, artisans and craftspeople. Gimmicky and archeological indigenous fine art, industrial design items in limited or mass product, and places created by environmental designers and cultural landscapes, are some examples. The term has been consistently bachelor for debate, reconsideration, and redefinition.

See likewise [edit]

  • Anti-art
  • Artistic media
  • Cultural artifact
  • Opus number (used in music)
  • Outline of aesthetics
  • "The Work of Art in the Age of Mechanical Reproduction"
  • Western catechism

References [edit]

  1. ^ Generally in American English language
  2. ^ Oeuvre Merriam Webster Lexicon, Accessed Apr 2011
  3. ^ Gell, Alfred (1998). Art and bureau: an Anthropological Theory. Clarendon Printing. p. 7. ISBN0-19-828014-9 . Retrieved 2011-03-eleven .
  4. ^ Macdonald, Sharon (2006). A Companion to Museum Studies. Blackwell companions in cultural studies. Wiley-Blackwell. p. 52. ISBN1-4051-0839-8 . Retrieved 2011-03-11 .
  5. ^ Hall, S (ed.) 1997, Cultural Representations and Signifying Do, Open Academy Press, London, 1997.
  6. ^ "There'due south No Need to be Afraid of the Nowadays", The Contained, 25 Jun 2001
  7. ^ "FTC Wins $2.3 One thousand thousand Judgment Confronting Gallery Possessor In Phony Art Scam" (Press release). Federal Trade Commission. Baronial eleven, 1995. Archived from the original on Baronial 4, 2009. Retrieved October 29, 2008.
  8. ^ "Rembrandt Research Project - Abode". rembrandtresearchproject.org.
  9. ^ Susanne Grüner; Eva Specker & Helmut Leder (2019). "Effects of Context and Genuineness in the Experience of Art". Empirical Studies of the Arts. 37 (2): 138–152. doi:10.1177/0276237418822896. S2CID 150115587.

Further reading [edit]

  • Richard Wollheim, Art and Its Objects, 2d ed., 1980, Cambridge University Press, ISBN 0-521-29706-0. The classic philosophical enquiry into what a work of fine art is.

External links [edit]

  • Media related to Fine art works at Wikimedia Commons

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Source: https://en.wikipedia.org/wiki/Work_of_art